"Looney Tunes Shorts Pulled from HBO Max Amid Movie Release"
The removal of the entire catalog of original Looney Tunes shorts from HBO Max marks a significant and disheartening shift in Warner Brothers' strategy. These iconic shorts, which aired from 1930 to 1969 during the so-called "golden age" of animation, have been fundamental in shaping the cultural landscape and the identity of Warner Brothers itself.
According to Deadline, this move aligns with Warner Brothers' initiative to focus on adult and family programming, sidelining children's content due to its lower viewership numbers. This decision starkly overlooks the profound cultural significance of the Looney Tunes series. For instance, HBO's decision to cancel its deal for new episodes of Sesame Street at the end of 2024 further underscores this shift, despite the show's longstanding role in childhood education since 1969. While some newer Looney Tunes spinoffs remain available on HBO Max, the essence of the franchise has been stripped away.
This development is particularly jarring given the recent release of the new film, The Day the Earth Blew Up: A Looney Tunes Story, which hit theaters on March 14. Initially commissioned by Max, the project was sold to Ketchup Entertainment through the American Film Market following the Warner Brothers and Discovery merger. With a limited marketing budget, the film managed to earn just over $3 million during its opening weekend across more than 2,800 theaters nationwide.
The timing of these events is curious, especially in light of the backlash against Warner Brothers' handling of Coyote Vs. Acme last year. The studio opted not to release the completed film, citing high distribution costs, a decision that sparked widespread criticism from the artistic community and animation enthusiasts. Actor Will Forte, a star in Coyote Vs. Acme, expressed his frustration, calling the decision "f—king bulls—t" and noting that it made his "blood boil" due to its inexplicability.
The removal of the Looney Tunes shorts from HBO Max, coupled with the mishandling of recent projects, suggests a troubling disregard for the legacy and cultural impact of these beloved animations.
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