They Don’t Make ‘Em Like David Lynch Anymore

Mar 03,25

This article explores the enduring legacy of David Lynch, a filmmaker whose unique style has left an indelible mark on cinema. It begins by highlighting a pivotal scene from Twin Peaks, showcasing Lynch's ability to juxtapose mundane reality with unsettling undercurrents. This "Lynchian" quality, a blend of the ordinary and the surreal, is central to his work.

The article argues that "Lynchian" transcends mere stylistic descriptors like "Spielbergian" or "Scorsese-ish," instead representing a broader thematic resonance – an unsettling, dreamlike atmosphere where something is profoundly "not right." This is exemplified through discussions of several of his films:

  • Eraserhead: A rite of passage for many film enthusiasts, its bizarre imagery and unsettling atmosphere are quintessentially Lynchian.
  • Twin Peaks: The Return: Demonstrates Lynch's disregard for conventional narrative structure and his willingness to embrace the bizarre, even within the context of a nostalgic revival.
  • Dune: Despite its troubled production and critical reception, it remains undeniably a Lynch film, infused with his signature surrealism.
  • The Elephant Man: A surprisingly tender and moving film, demonstrating the range of emotions and themes Lynch could explore within his distinctive style.
  • Blue Velvet: Contrasts the idyllic façade of Americana with a disturbing underbelly, highlighting the deceptive nature of appearances.

The article emphasizes the difficulty of definitively categorizing Lynch's work, yet simultaneously points to its undeniable distinctiveness. His influence extends beyond direct imitation, inspiring a new generation of filmmakers who capture similar unsettling atmospheres and surreal narratives. Examples cited include Jane Schoenbrun's I Saw the TV Glow, Yorgos Lanthimos's The Lobster, Robert Eggers's The Lighthouse, Ari Aster's Midsommar, and Rose Glass's Love Lies Bleeding.

David Lynch and Jack Nance on the set of Eraserhead.

The article concludes by acknowledging Lynch's significant impact on cinema, noting his unique ability to blend the familiar with the unsettling, creating a lasting legacy that continues to inspire filmmakers today. The term "Lynchian" itself has become a testament to his enduring influence, signifying a distinct cinematic sensibility that is unlikely to be replicated.

What's your favorite David Lynch work?

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